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Get ready to don black tie evening wear with your best pair of blue jeans!Presented by
GALA BENEFITING COLLEGE OF MARIN STEAM PROGRAMS
Friday, August 30, 2019
Click here to view photos from the event

Joe Nichols
Joe Nichols is a four-time Grammy nominee, an ACM, Billboard, CMA, and CMT Award winner, and his last album offering, Crickets, kept the success going, sending both “Yeah” and “Sunny and 75” to Platinum-certified Number One status.
Joe Nichols Never Gets Old
As Joe Nichols began work on a brand new batch of old-school country music, he found himself looking back for inspiration. Back to his early career, back to true friends and the simple perfection of pure country music … back to things that never get old.
“Full circle is the term I would use,” the Arkansas native says about his new project, fittingly titled Never Gets Old. “The whole theme of the record is ‘Let’s get back to where it all began for me. Let’s get back to where my passion for music began.’” From 2002’s Man With a Memory on, Nichols harnessed that passion as a steady hit maker, racking up six Number Ones and eight Top 10s, including chart-topping modern classics like “Brokenheartsville” and “Tequila Makes Her Clothes Fall Off.” He’s a four-time Grammy nominee, an ACM, Billboard, CMA, and CMT Award winner, and his last album offering, Crickets, kept the success going, sending both “Yeah” and “Sunny and 75” to Platinum-certified Number One status.
But then four years went by – the longest span between releases of his career – as Nichols dug in to reconnect with his calling. In Never Gets Old, he’s done just that.
“Instead of us making something that’s built for instant success, the idea was ‘Let’s make something we’re gonna be proud of 30 years from now,’” Nichols explains. “I’m thinking less about what will work, and more about what I love.”
What Nichols loves has always been obvious. Growing up around friends who were into anything but country, he was different. Nichols was pulled in by the realness of singers like Merle Haggard and Marty Robbins, Don Williams, Keith Whitley and George Strait, and that connection would inform his whole career. Even now with Never Gets Old, he’s happy to go against the grain.
“Hopefully the stuff we’re doing lasts a lot longer than today’s typical country record,” he says. “But I think the irony is that retro sounds are actually what’s fresh and new right now. All we had to do was what felt natural.”
Doing what felt natural has never been easier, as Nichols returned to the approach of his early albums. Working with Crickets producer Mickey Jack Cones and longtime collaborator and friend Brent Rowan– fiddles and steel guitar tempered tasteful modern sounds on nearly every mix, while that understated (but unmistakeable) baritone felt “better than it’s been in 10 years.”
Saying his goal was to sing with the most feeling possible and let whatever came out of his soul land on the record, Nichols ended up with 12 tracks that bound between spirit and sentiment, courage and cleverness, romance and rowdy fun, all wrapped in the throwback style he’s spent a lifetime pursuing.
Lead single and title track “Never Gets Old” points the way. Written by Connie Harrington and Steve Moakler, Nichols says it reminds him of the mid-’80s country era, a song that “wasn’t necessarily deep, but it was meaningful.”
With a swaying front-porch groove, it features laid-back acoustic guitars and accordions that waft in with the breeze, as Nichols ponders the moments that keep love fresh – like watching his wife laugh, holding her hand, and ending each day in a tender embrace. Nichols says he knew it was special when all three of his kids started singing along the first time they heard it.

Leaving Austin
With a profound sense of brotherhood, a love of music and fierce determination, Leaving Austin is forging a path in country music that’s solely their own. Comprised of Austin Machado, Davis Forney and Michael Stevens, the trio’s smooth vocals and distinctive songwriting have made them a sought-after band in Nashville.
Leaving Austin
With a profound sense of brotherhood, a love of music and fierce determination, Leaving Austin is forging a path in country music that’s solely their own. Comprised of Austin Machado, Davis Forney and Michael Stevens, the trio’s smooth vocals and distinctive songwriting have made them a sought-after band in Nashville. They’ve garnered co-writes with some of country music’s most successful songwriters including Jimmy Robbins (“It Goes Like This”), Scooter Carusoe (“Mean To Me”), Chris DeStefano (“Something In The Water”), Chris Dubois (“Buy Me A Boat”) and Thomas Archer (“Hurricane.”)
Hailing from Visalia, California, a small farming town in the Sierra Nevada Mountains, they were all raised on the importance of faith, family and the belief that nothing was going to be handed to them. After six years of writing and touring while working on a dairy farm, their hard work paid off.
Leaving Austin’s EP’s, Leaving Austin and That Feel Good, have over 3 million streams on Spotify to date and they’ve played up and down the west coast giving them the opportunity to open for Lynyrd Skynyrd, Josh Turner, Dwight Yoakum, Brett Young, Wynonna Judd, Michael Ray and more.
The band is grateful for the community that surrounds them and the opportunity to create music. “Country music is a community,” Davis said. “While we didn’t grow up in Nashville, we have been embraced by this town. And we are getting to make it with some of the most talented people in the world. We are just grateful.”
Sponsorship Levels
Diamond
$15,000 +
- Meet and greet with the headlining artist and signed photo
- 10 seats at dinner
- 10 premium seating concert tickets
Platinum
$10,000 – $14,999
- Meet and greet with the headlining artist and signed photo
- 8 seats at dinner
- 8 premium seating concert tickets
Gold
$7,500 – $9,999
- 6 seats at dinner
- 6 premium seating concert tickets
Silver
$5,000 – $7,499
- 4 seats at dinner
- 4 premium seating concert tickets
Bronze
$2,500 – $4,999
- 2 seats at dinner
- 2 premium seating concert tickets
All sponsor logos will be featured on TVs inside the theater (day of event), in program, on event website, and mentioned in news release.